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Saturday
Jun172017

Baby Driver- review

 

“Baby Driver” (2017)

Directed by Edgar Wright

Starring Ansel Elgort, Lily James, Jon Hamm

Running Time 113 Minutes, Rated R.

4.5 Mitch’s out of 5

Mitch Hansch/movieswithmitch.com

 

I’m listening to the soundtrack to this film, in particular the film’s opening song “Bellbottoms” by the Jon Spencer Blues Explosion which is perfectly infused into the super badass high octane opening scene of “Baby Driver”, and all I can say is that I want to watch this film again, right now, right flippin now!, but I can’t cause I saw an early screening of the film so it’s not accessible until June 27th, and now I’m a little sad.  But I keep listening to the soundtrack, and I’m happy again.  Edgar Wright’s “Baby Driver” is an absolute smash of a good time, and if you want to be happy for 113 minutes straight then this is a MUST SEE!

Edgar Wright gets it, he knows better than us, he knows what we want even when we don’t, and I feel safe in his arms.  “Shaun of the Dead”, “Hot Fuzz”, “Scott Pilgrim vs. the World (super underrated), and “The World’s End”; he hasn’t swung and missed yet, and “Baby Driver” might be his best at bat yet.  “Baby Driver” is cool; so cool that we wouldn't have hung out in high school, so cool that if you wanted your drink on the rocks then you’d just cut up this film into little pieces, so cool that this film gives the sun brain freeze.  Oooh and that opening sequence, is seriously one of the better opening scenes I’ve seen. 

Ansel Elgort plays Baby, a getaway driver to rule all getaway drivers who is working off a debt from crime boss Doc (Kevin Spacey).  Baby suffers from a real bad case of tinnitus, and therefore always has an Ipod going with headphones blaring to drown out the humming.  Baby meets a fellow dreamer in a waitress named Deborah (Lily James) and they fall for each other fast, but being Doc’s good luck charm in heists it won’t be easy to get out of that world.  

It took all but 10 seconds for me to fall in love with Elgort here as Baby.  It’s a tricky performance since his character is light on dialogue, but he makes up for it in spades with a charm that raises every other of the fantastic performances that spoil this film.  Elgort and James are so easy to root for, and Wright makes their romance angle just as exciting as the top notch getaway scenes.  Everyone else kills it; Spacey almost sings his dialogue he’s so good, Jon Bernthal pops up shortly but memorably, Jon Hamm finds the film role he’s been looking for post “Mad Men” actually showing me can play scary, but it was Jamie Foxx as the film’s loose cannon that was really scary and if it were up to me I would be so bold as to give him a Supporting Nod.

But maybe the best performance is the music.  Wright interweaves the music so well in every scene with an eclectic selection that hits every genre and hits it perfectly.  You thought “Tequila” by The Champs would always be remembered for “Pee-Wee’s Big Adventure”, well not so fast champ cause “Baby Driver” has something to say about that now.   

“Baby Driver” has the chance to be Wright’s first big box office hit and if you’re willing to spend your money on a great film, it will be.

Exodus 14:14

 

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